jony sonic
Logician
Working in LOGIC and started automation mixing/editing on a 16track project.
After several hours work, I realized I'm working a 48k set of tracks at 44k.
Set the system to run at 48k and Voila: all my automation marks stay at the exact TIME LINE places I put them, but the audio is now, of course, SHORTER by roughly 10% overall and the moves are progressively farther down the line than they need to be.
I can of course manually move them all to where they need to be, but anybody know (or know where to point me) for a way to do it with one magic move?
Even further manglement.
This is a live set with 8 musicians, One mic per performer, where 3 of them player/singers where, say, a violinist wil play some parts of a song and sing others, never both at once. On top of that, these 3 are also doing the musical-chair thing at various points in the concert. To make sense of this in mixing I sliced up each performer's linear track into a VOCAL track and an INSTRUMENT track for each of them and moved the sections to dedicated tracks, sometimes making a checkerboard of a song over those 3 tracks.
Now I find that changing the project sample rate from 44 to 48k (as the tracks were recorded) not only un-synchs the automation moves, but , any place a sliced audio segment happens, it gets out synch as well.
I'm thinking I have to face it that I've lost the day and need to start again: New project at 48k, then copying all settings, EQ's and automation moves by hand in a whole new thing.
JV
After several hours work, I realized I'm working a 48k set of tracks at 44k.
Set the system to run at 48k and Voila: all my automation marks stay at the exact TIME LINE places I put them, but the audio is now, of course, SHORTER by roughly 10% overall and the moves are progressively farther down the line than they need to be.
I can of course manually move them all to where they need to be, but anybody know (or know where to point me) for a way to do it with one magic move?
Even further manglement.
This is a live set with 8 musicians, One mic per performer, where 3 of them player/singers where, say, a violinist wil play some parts of a song and sing others, never both at once. On top of that, these 3 are also doing the musical-chair thing at various points in the concert. To make sense of this in mixing I sliced up each performer's linear track into a VOCAL track and an INSTRUMENT track for each of them and moved the sections to dedicated tracks, sometimes making a checkerboard of a song over those 3 tracks.
Now I find that changing the project sample rate from 44 to 48k (as the tracks were recorded) not only un-synchs the automation moves, but , any place a sliced audio segment happens, it gets out synch as well.
I'm thinking I have to face it that I've lost the day and need to start again: New project at 48k, then copying all settings, EQ's and automation moves by hand in a whole new thing.
JV
